He only wanted to make sure that no one else could fly his shuttle.

Does your car have the rocket launcher button directly next to the volume knob or what do you mean with life and death?

What I wanted to say is that a car’s quality doesn’t solely depend on if it’s got touch or physical controls but on **how ** good or bad they’re done. OP overly generalised that.

Oh you mean replace. Swap means (for me) to switch from one battery to another on the go. Of course, replacing batteries in any appliance should be easy and cheap. Maybe not necessarily being performed by the customer.

It was so in the football world cup of 2014 IIRC. Outside was public screening and they had a sat dish while we watched a delayed stream. We could hear the goal seconds in advance. But that’s an edge case.

Why swap a 10 day battery anyway? What’s the use case here? I mean in the last decade I had not a single phone die on me with an empty battery. That’s one day battery life or more, so why 10 days and have it (hot) swappable? I understand that on a hike or while camping outlets and wall chargers are off limit. But there are so good alternatives to having an immensely dense battery in the phone that you don’t also have to carry all the time.

that’s the point I was making: anectdotal evidence is not evidence, it’s opinion. have a nice day.

If there’s one thing I don’t need from a TV, then it’s low latency. The pause, rewind, and skip functions are some serious stuff, on the opposite.

I have a car with a touch screen and some few physical buttons and it just works. Here, I proved you wrong.

Got rid of (most) social media. Even only reading about its toxicity makes me uncomfortable.

BOTW is a beautiful game. But the complex controls and the fact that all weapons simply break would have had me sinking hours over hours into the game.

You *have * to try Blood and Wine. Simply put, it makes up for everything before it. The bright, warm, Southern France -inspired map, great quests, and finally a homestead.

Try Witcher with some QoL mods, like easier fast travel, auto harvesting, auto-applying of oils. Everything that lets you play the game instead of plucking flowers all day.

I’m conservative on this one. I like the versions with Anne-Sophie Mutter and the one by Europa Galante the most. Interpretations can be so different, I’m content with that.

I think it’s one of the albums that “just click” and then you try to discover more of that great stuff and it doesn’t work. There’s this mood and vibe in the album I couldn’t find in the others.

I did (and sometimes still do). It’s okay, too doomy and far from being refined. Passage takes the stomping doom metal parts and surrounds them with the right amount of electronic sound, great lyrics, and interesting composing and arrangements. Without Ceremony, Passage wouldn’t exist, tbf, but it gets out maneuvered by its (indirect) successor in every aspect.

M83. “Hurry up we’re dreaming” may not be perfect but it’s a great album all their other stuff pales in comparison to.

“Wolfmother” by Wolfmother. Period.

“Cruelty and the beast” by Cradle of Filth, although they had a good run around that time.

“Origin of symmetry” by Muse. It is the almost perfect sweet spot between too rough and too polished in their discography.

“Seeds” by TV on the radio.

“Boy King” by Wild Beasts.

“Passage” by Samael was peak song writing and composing. A text book concept album. Brilliant.

“The Four Seasons” by Antonio Vivaldi. Absolute banger, not an album though.